A man and a woman, strangers to each other, awaken naked in a bed and discover they have been surgically sewn together at the abdomen. Who would do this to them, and why?
From its synopsis, I expected Spain’s Two to be cheap exploitation, inspired by the cult success of The Human Centipede. But I was mistaken; the movie is neither cheap nor exploitative. Rather than Centipede, the movie it most resembles is Brian De Palma’s Sisters, steeped in psychological horror. At a brisk 71 minutes, the film nevertheless leaves a lasting impression. Release: 2021 Grade: A-
For those of you intrigued by Two for its more prurient elements — such as naked actress Marina Gatell, 42 — check out 2009’s Little Ashes, below. From her full-frontal shots in Two to her fairly graphic backside exposure in Little Ashes, Gatell clearly places a lot of trust in her directors.
Above, Gatell braves cold weather in Two
Above and below, Gatell braves the camera’s lens in Little Ashes
Such a difficult movie to review. Technically, it’s top-notch. The acting is uniformly excellent, and the direction is flawless, at times even inspired. And yet — to this American — the film’s premise is patently absurd. Or is it?
Shenina Cinnamon plays an Indonesian girl (“Sur”) who, after attending a celebratory party with a group of artists, wakes up the following day and learns that someone took “selfies” of her during the night and posted the embarrassing pictures online.
The movie then becomes a mystery/thriller, with Sur enlisting the aid of anyone she can to find out who did this to her. Her quest makes for compelling drama.
And yet … the selfies are not nudes, nor are they particularly salacious — to my Western eyes. Apparently, in Indonesia relatively tame images are enough to ruin careers and irreparably harm reputations.
One more quibble: I thought the ending was overly artsy and pretentious. At least to my Western eyes. Release: 2021 Grade: B+
Unlike starlets from the West, whose social media posts might make Hugh Hefner blush, Indonesian actress Shenina Cinnamon’s posts are indicative of a conservative (repressive?) culture. The pictures above and below are about as provocative as you will find on Cinnamon’s Instagram page.
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