Monthly Archives: December 2017


I keep wanting to call Don Lemon “little Donnie Darko” because it sounds insulting and I have no respect for him.

But it also sounds racist.

So I’d best not call him “little Donnie Darko.”




TV Update



Shows I Hate to Love


There are good reasons to shun two of Netflix’s latest offerings, Dark and season two of The Crown. I have issues with both shows. But I watched all ten episodes of the German mystery Dark and am well into the second season of The Crown. They are both very, very well made. If you begin watching either of them, you are likely to get hooked — despite yourself.



Why I dislike Dark


It’s a time-travel fantasy show, and I generally like time-travel shows only when they are light and fun, like Back to the Future or Time After Time. As far as current science knows, time travel is not possible, and therefore the entire premise is silly. Yet Dark takes itself oh-so-seriously.

And there are a lot of characters. The show takes place in 2019, and in 1986, and in 1953. You must learn the names of characters in 2019, and of the same characters 33 years earlier, and of the same characters 33 years before that. The various characters in 1953, 1986, and 2019 are all played by different actors. And they are German actors, so they are unfamiliar.

The myriad characters all have complex relationships with one another. Once you finally feel comfortable with Ulrich in 2019, for example, you must learn what his father looked like in 1953, or whom Ulrich was dating in 1986, or which children he sired by which woman.

During your struggle to read subtitles and unravel scores of relationships between unfamiliar actors, you must also keep an eye out for clues to the central mystery: Who is kidnapping and killing kids in a small German village? We didn’t have to work this hard during Stranger Things.


Why I kept watching Dark


If you accept the silly premise, it’s an otherwise intelligent show. The cinematography and art direction are striking. The soundtrack, which alternates between ‘80s retro and some kind of eerie, modern, German contribution, is cool. The gloomy setting and mood are also cool.


Why I dislike The Crown


Why on Earth should any of us give a rat’s ass about the problems of rich, privileged, self-pitying royals? We shouldn’t. So what if their life isn’t trouble-free? Let them eat cake.


Why I keep watching The Crown


Living the life of a British royal is a seductive fantasy. If you can divorce your thoughts from the fact that these people actually exist, which isn’t always easy to do, this handsome, well-produced show will suck you in with its world cruises, slaves servants on hand to cater to your every whim, and that torrid sex scene between stars John Lithgow and Claire Foy.

OK, just kidding about that last one. Maybe.





Uhhh … who?


© 2010-2017 (text only)


Voyeur Voyeur


This might be one case where the movie is better than the book. Famed journalist Gay Talese’s nonfiction account of a Colorado Peeping Tom was often a repetitious slog through the mind (and journal) of Gerald Foos, a motel owner who for years spied on unsuspecting guests through ceiling vents and then recorded his observations.

This documentary, on the other hand, is less about peeping and more about two old men who are both preoccupied with how they are and will be perceived by the rest of us. The juxtaposition of the proud and meticulous Talese with his partner in crime, the alternately insecure and self-aggrandizing Foos, as they strive to publish Foos’s perverse tale is an often-fascinating look at fame – and infamy – in America. Release: 2017 Grade: B+




Nocturama Nocturama


Nocturama is stylish, beautifully shot, and has several scenes that are truly harrowing. But too bad the editor wasn’t in charge of things, because the movie also has a lot of sequences that drag on needlessly – especially during the first hour. Writer-director Bertrand Bonello’s premise is a good one: A group of disaffected young people are persuaded to plant bombs on the streets of Paris, and then hide out in an upscale department store while all hell breaks loose in the city. But in that first hour, Bonello’s camera dwells on every corner the kids pass, every elevator they use, and every subway change they make on their way to planting the bombs. Yet the rest of the film is a chilling portrait of what could come next in the form of terrorism.  Release: 2016 Grade: B+


© 2010-2017 (text only)


This was our prediction from a year ago:



OK, OK, so our timing was a little bit off. But still ….




These are apples:







As far as I’m concerned, there is only one “celebrity chef” – the man pictured above.

The rest of these guys are just cooks on TV.





I just finished season three of Broadchurch, and I’ve come to the conclusion that Hardy and Miller (above) are the most entertaining crime-fighting duo since Blomkvist and Salander in the original The Girl with the Dragon Tattoo.

I’ve softened my view of Hardy (David Tennant), of whom I said in my original review: “My problem is with the lead detective.  … this guy is so relentlessly sour and unpleasant that I find myself sympathizing with anyone he encounters — including all of the murder suspects.”

Hey, this is The Grouchy Editor. I can’t hold a grudge against a fellow grouch.




I wonder if Queen Elizabeth caught this episode of Suits, featuring her future granddaughter-in-law.





I have a hard time shedding tears for the Big Shots losing their jobs over sex scandals. When I lose my job, or when you lose your job, that’s a problem. When Matt Lauer and Charlie Rose get axed, they lick their wounds while sitting on piles of cash.




I suspect that the best, smartest people in America are people you never see on television, most likely because they avoid going on television.


In other words, turn off the TV because there is hope for all of us.





Yeah. What the lady above said. In this article.


© 2010-2017 (text only)