Category: Books, Movies, TV & Web

by Jonathan Franzen

grouchyeditor.com Corrections

 

Confession: I’ve resisted this book for years, in part because its author, Jonathan Franzen, has a reputation (deserved or not) for being something of a jerk. He’s not exactly Mr. Warmth and Cheer on his talk-show appearances, and then there was that little issue with Oprah Winfrey.

Also, reviews informed me that The Corrections’ plot concerns a middle-class family of five in the late-twentieth-century Midwest, with Depression-era parents and grown kids who flew the coop. I happen to hail from a middle-class family of five in the late-twentieth-century Midwest, with Depression-era parents and grown kids who flew the coop. I thought the book might hit a little too close to home, and so I took a pass.

My mistake.

Franzen is a spectacularly gifted writer. His insights and prose are endlessly inventive. He deftly mixes elements of Shakespearean tragedy with humor straight out of Kurt Vonnegut. He chooses the perfect word, the perfect phrase to illustrate his scenes. The major theme, in which members of The Greatest Generation and The Me Generation collide with societal change and with each other, is important to many Americans. National Book Award voters honored The Corrections in 2001, and justifiably so.

However … this was a novel that I admired more than I enjoyed. The characters, although fully realized and recognizable, are not what I’d call endearing, and the reader is asked to spend 566 pages with them.  Unless you grew up in a family much like the Lamberts – (ahem)The Corrections might engage your mind but not so much your soul.

 

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Synopsis: The first season of Netflix’s lavish drama about England’s royal family focuses on Elizabeth II, from her childhood through the 1950s.

 

When you watch any movie, you have to engage a suspension of disbelief. I consider Jaws a fairly realistic adventure film, but if you stop to think about it, is it really likely that a gigantic shark would menace three men in a boat for days on end? Similarly, docudramas that claim to be based on true stories take liberties to make the story more entertaining; watching Woodward and Bernstein sit at typewriters for hours and hours might be factual but, well ….

 

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And then there are shows like Netflix’s The Crown, a new series about Britain’s royal family. There’s no question that it’s well-produced (the budget is Netflix’s priciest ever), well-shot, well-acted, and well-written. It’s an absorbing piece of showmanship – but man, do you ever have to suspend disbelief. Or maybe that’s the wrong kind of suspension: You have to suppress your politics. At least I did.

The Crown asks you to forget that the soap opera you are watching is about people who have problems that are alien to the vast majority of viewers. If your neighbor’s love affair runs into insurmountable obstacles, she cannot console herself by throwing lavish parties for herself at a remote castle in Scotland. If my significant other cheats on me, I am not allowed to mope in perpetuity, because I still have to feed myself and pay the bills.

On the other hand, if you are royal family and have your every physical need and want catered to, at public expense, don’t expect much sympathy when your personal life doesn’t go exactly as planned.

There. That was my obligatory American rant.

 

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If you can suspend your politics – something that might come easier to Brits than to their country cousins across the pond — The Crown will likely suck you in. The sets are spectacular, the attention to period detail is impressive, and it’s near-impossible to resist watching John Lithgow sputter and bellow as an elderly Winston Churchill.

Being a member of the British monarchy is such an odd, unnatural way to go through life – gilded slavery, at times – that it can’t help but be compelling fantasy. Especially for us commoners.   Grade: B+

 

 

Creator: Peter Morgan  Cast: Claire Foy, Matt Smith, Vanessa Kirby, Jeremy Northam, John Lithgow, Victoria Hamilton, James Hillier, Rip Torrens, Ben Miles, Jared Harris  Premiere: 2016

 

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Watch Trailers (click here)

 

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The Tribe

grouchyeditor.com Tribe

 

If you’re going to make a 130-minute film with no dialogue and no subtitles, your movie had better have everything else working in its favor. The Tribe does just that. Ukrainian filmmaker Myroslav Slaboshpytskyi’s drama about young deaf-mutes drawn into a life of crime is almost always absorbing – even though the actors “speak” only in sign language. Scenes do occasionally go on a bit too long, but overall this is a fascinating glimpse into a mostly silent, frequently violent world. Release: 2014  Grade: B+ 

 

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The Wailing

grouchyeditor.com Wailing

 

Locals begin committing bizarre crimes after a mysterious Japanese man moves to their South Korean village, and it’s up to some unsophisticated cops to investigate. The good news: The movie is well-shot, and the final half-hour is both scary and surprising. (Think you’ve figured out the twist? Think again.) The bad news: You do have to sit through two hours of standard-issue horror to reach that entertaining wrap-up.  Release: 2016  Grade: B

 

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Midnight Special

grouchyeditor.com Midnight

 

Midnight Special starts off well enough. Two men abduct an 8-year-old boy from a religious cult, and the three of them flee from cult members and FBI agents chasing them on the back roads of Texas. But there’s a catch: The boy is a willing participant in his own abduction, and the trio have a plan and an unspoken goal. It’s all very tense and mysterious. And then the story goes all “Kid with Supernatural Powers” on us and gets sillier and sillier until, at the film’s climax, I was thinking of Disney theme parks and Tinker Bell – a far cry from the dark and suspenseful first hour.  Release: 2016  Grade: B-

 

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Weiner

grouchyeditor.com Weiner

 

In case you haven’t had your fill of sleazy politics this election season, you can always check out this documentary, in which a film crew tailed disgraced politician Anthony Weiner and his wife Huma Abedin during Weiner’s doomed, 2013 mayoral campaign. Lots of lessons here: why good people don’t want to run for public office, why we as voters get the leaders we deserve, and so on. My takeaway is that we haven’t heard the last from this relatively young power couple — for better or worse. Release: 2016  Grade: B+

 

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Sing Street

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Sing Street is a minor miracle: a teen romance with minimal snark and cynicism, a feel-good movie with smarts. I wouldn’t have thought that possible in 2016. The story will be familiar to anyone who’s watched teen comedies – outcast Dublin kid starts a band to win the attention of a cute girl – but the characters are so personable, the dialogue so amusing, and the tone so good-natured that any lack of originality is forgiven. Oh, and the music isn’t half bad.  Release: 2016  Grade: A-

 

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Gringo

grouchyeditor.com Gringo

 

If you think selecting a president this year is akin to choosing between having a root canal or a colonoscopy, it could be worse. We could be stuck with Libertarian candidate John McAfee, the software mogul who wound up accused of rape and orchestrating not one but two murders in Belize. Documentarian Nanette Burstein interviewed McAfee’s hired thugs, his victims, and his teenage “girlfriends” who observed as he turned one part of Central America into his own Heart of Darkness.  

It’s hard to say which is more stomach-turning: the way McAfee exploited poor Belizeans, or the way America’s fawning business and tech communities have welcomed him back to the U.S.A.  Release: 2016  Grade: B+

 

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Amanda Knox

grouchyeditor.com Knox

 

Amanda Knox is not a particularly likeable woman – but that doesn’t necessarily make her a murderer. After watching Netflix’s new documentary about the Seattle woman’s trials and tribulations in the Italian justice system, I remain as clueless as ever to her guilt or innocence in the death of roommate Meredith Kercher. But I do know this: The movie reaffirms my belief that I never want to find myself on trial in Italy – especially with flamboyant, egotistical prosecutor Giuliano Mignini running the show. Release: 2016  Grade: B+

 

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Rams

grouchyeditor.com Rams

 

Two Icelandic farmers – feuding brothers who haven’t spoken to each other in 40 years – find their livelihoods threatened when disease strikes their beloved sheep stock. Rams is one of those “little” films in which nothing much seems to happen – but it’s so unusual that it could stay with you for a long time.  Release: 2015  Grade: B

 

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by Gaston Leroux

grouchyeditor.com Yellow Room

 

In her 1963 book The Clocks, mystery queen Agatha Christie gives a shout-out to this classic “locked room” novel, published in 1908 by the Frenchman Gaston Leroux. This is interesting because Leroux and Yellow Room protagonist Joseph Rouletabille were clearly on Christie’s mind when she created her most indelible character: the great detective Hercule Poirot.

Other than age and occupation, Christie’s Poirot and Leroux’s young hero have a lot in common. (Rouletabille is an 18-year-old journalist.)  Like Poirot, Rouletabille is brilliant, underestimated by nearly everyone, and takes an almost malicious delight in withholding crucial information from his clueless associate, who also serves as the story’s narrator. At one point, the eccentric Rouletabille even refers to his little grey cells – although not in precisely those words.

As for the mystery itself, Yellow Room features other Christie-like qualities: suspects who harbor secrets, dark doings at an isolated estate, and disguise as an important plot point. Leroux, who also penned The Phantom of the Opera, was especially skilled at misdirection. 

 

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by Edvard Radzinsky

grouchyeditor.com Stalin

 

Stalin is a historical biography that I admired but … did I enjoy it? Let me put it this way: Reading this 600-page beast often felt like being banished to Siberia with nothing to do but page through the telephone directory. I do respect the blood, sweat and tears that must have gone into the research and writing of this massive tome about the 20th century’s greatest villain, Joseph Stalin (yes, I’m including Hitler), but the result is mostly a plodding bore.

In addition to presenting the usual agglomeration of unpronounceable and confusing Russian names, Radzinsky’s book demands a basic knowledge of Russian history and the major political players of the time. If you are unfamiliar with the historical relationship between Bolsheviks and Mensheviks, the troubled history of Ukraine and Russia, etc., well, too bad for you. Radzinsky simply offers a chronological survey of what Stalin did and to whom he did it. Stalin himself remains an enigma. So many details, so little insight.

It’s a shame, because if we know one thing, it’s that history repeats itself, and if a genocidal despot like Stalin could place an entire country under his malevolent spell, then understanding the factors that created such a monster is something we all need to know.

 

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“Take off your clothes … because I’m going to do a strip search – full cavity.”

 

I’m not entirely sure for whom Strip Search is a guilty pleasure – me, or the late, great, director Sidney Lumet. Possibly it’s both of us.

Lumet, who turned 80 the year this film was released, is responsible for classics including 12 Angry Men, Fail-Safe, Dog Day Afternoon, and Network. In his dotage, however, the movie maestro seemed to draw more inspiration from Girls Gone Wild than from social issues.

 

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Just ask Oscar winner Marisa Tomei, whom Sidney coaxed out of her clothes for his final film, Before the Devil Knows You’re Dead. Or check out Strip Search star Maggie Gyllenhaal, who, after a sexy turn in Secretary, apparently had a nudity clause inserted in her film contracts; in Maggie’s case, it seems she’ll only take roles that require it.

 

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 Maggie Gyllenhaal assumes the position for James Spader in Secretary

 

Strip Search, which aired once on HBO in 2004 and was then promptly pulled from the network schedule (there were complaints and controversy), is an intense examination of how governments can and do violate the civil rights of ordinary citizens. Lumet presents alternating storylines with near-identical dialogue, in one case focusing on an American named Linda (Gyllenhaal) who is brutally interrogated in China, and in the other case depicting an Arab man (Bruno Lastra) similarly abused by an FBI hard-ass played by Glenn Close.

 

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Glenn Close to Bruno Lastra: “Is there a part of your body you’re embarrassed about, something … smaller than it ought to be?”

 

At about the midpoint, Strip Search goes from social commentary to sexual commentary, courtesy of Lumet’s leering camera.  It’s hard to contemplate civil liberties when you are distracted by lingering close-ups of Maggie’s bare breasts being kneaded like bread dough, or by Glenn asking her captive Arab if a body part is “smaller than it ought to be” while eyeballing his willie.    Grade: B

 

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Director: Sidney Lumet  Cast: Maggie Gyllenhaal, Ken Leung, Glenn Close, Bruno Lastra, Austin Pendleton, Jim Gaffigan  Release: 2004

 

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“Yes, a good solid body.”

 

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“Take off your clothes … because I’m going to do a strip search – full cavity.”

 

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“Yes, you’ve got a good solid body.”

 

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“If I touch you down there, what do you think your reaction will be?”

  

Strip Search is once again available on HBO. If you would prefer to see just the good parts, i.e., Maggie Gyllenhaal forced to strip and getting felt up by Ken Leung, watch movie outtakes by clicking the links below: 

 

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If the above videos don’t work on your mobile device, try these:

 

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set1

 

There are way too many zombie shows. The genre felt fresh when it was reinvigorated about a dozen years ago, but the onslaught of sluggish clodhoppers should have been shot in the brains long ago. The Walking Dead? It’s a tedious, talky soap opera with lame zombies.

It’s next to impossible to find a zombie horror-comedy that’s either horrific or comedic, much less horrific and comedic. Shaun of the Dead successfully combined the two elements. So does Dead Set, a five-part miniseries from 2008 about the cast and crew of England’s Big Brother waging war with the undead, now showing on Netflix.

 

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The Plot:

 

Anyone who watches Big Brother, either as a fan or because a significant other is holding a gun to your head, has fantasized about annoying “houseguests” having their faces torn off or their intestines slowly devoured. Or maybe that’s just me.

In Dead Set a sudden, unexplained zombie outbreak wreaks havoc in Britain — with the exception of the clueless hamsters who are isolated in the Big Brother house. Will these idiots, our heroes, overcome their bickering, narcissism, and general ineptitude long enough to stave off Armageddon?

The surprising thing about Dead Set is that it’s not simply amusing, not just a satire of reality TV and those who consume it; there are also some genuinely scary scenes. Or maybe it’s not surprising, given that the miniseries was written by Charlie Brooker, the twisted genius responsible for Black Mirror. Fans of HBO’s The Night Of will also recognize rising star Riz Ahmed among the ensemble cast. 

 

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Random Notes:

 

Zombie purists, assuming there are such animals, might quibble about this collection of the undead, which are fast and strong but unable to deal with simple obstacles like fences and pools of water. But dumb as they are, these zombies are often terrifying. And, unlike the knuckleheads stuck in the house, they seem to have a purpose.

 

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“Talent” from the actual British Big Brother make cameo appearances. The English equivalent of CBS’s Julie Chen, presenter Davina McCall, meets a fate worse than cancellation.

 

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If they gave awards for shows like this (the “Zommies”?), I’d nominate Andy Nyman, who is hilarious as the show’s producer, a foul-mouthed Ricky Gervais-type who doesn’t suffer fools — or anyone, for that matter — gladly.

 

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Dead Set’s ending is great. Why can’t more shows end like this? 

Grade: B+

 

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Director: Yann Demange  Writer: Charlie Brooker  Cast: Jaime Winstone, Andy Nyman, Riz Ahmed, Warren Brown, Liz May Brice, Beth Cordingly, Adam Deacon, Kevin Eldon, Kathleen McDermott, Davina McCall, Chizzy Akudolu, Raj Ghatak  Release: 2008

 

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Watch trailers (click here or here)

 

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High-Rise

grouchyeditor.com High Rise

 

To borrow a cliché, watching High-Rise is like witnessing a slow-motion train wreck:  It’s unpleasant, incomprehensible, yet oddly mesmerizing. Tom Hiddleston plays a 1970s doctor who moves into a state-of-the-art high-rise apartment building and gets entangled when the tenants – upper-crust Brits on the top floors, poorer Brits on the lower floors – engage in class warfare that turns violent.  I enjoyed this train wreck. But I’m not sure I’d want to watch it again.  Release: 2015  Grade: B

 

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