Monthly Archives: December 2025

 

Commercial Beefs

 

The world seems to be falling headlong into hell. The past, oh, 10-15 years have produced a cavalcade of novel nightmares.

But some things never change. One thing that was annoying as hell in 1975 is still plaguing us in 2025: the commercial.

My commercial beefs (if you don’t live in the Midwest, that’s a play on “beef commercial” … oh, never mind):

 

a. Cne of the attractions of YouTube, initially, was the refreshing lack of ads. When there were ads, you could easily skip them. Not anymore. You can still skip, but only after watching a minute — or more — of the irritating stuff. Even worse, content creators now have their own ads; at times, the YouTube ads interrupt the creator ads — or vice versa, I forget the order.

 

 

b. Israel begging for more money. I don’t understand why news channels, Fox News in particular, run so many ads from Israel begging us to help pay for its poor. Don’t we as taxpayers already give Israel billions in aid? Is the country so poor that, in addition to military aid, now it wants U.S. aid for its social-welfare programs? Should we also pay for their road repairs?

Screw you, International Fellowship of Christians and Jews. We have enough problems of our own.

 

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Listen up, kids. This guy makes good points about geezer entertainment like old movies and The Beatles. It’s an explanation I make whenever kids wonder why I’m so fond of the original Black Christmas. Before that movie came along in 1974, the concept of young females terrorized by slashers, or the line, “the calls are coming from inside the house!” didn’t exist.

Guess you had to be there.

 

 

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Eden

grouchyeditor.com eden

 

A family man, a hedonist, and a philosopher become neighbors on an uninhabited island. When things go bad, who comes out on top?

Ron Howard’s (inexplicably, to me) controversial movie, based on a true story, is basically Lord of the Flies with adults instead of children. A stellar cast including Jude Law, Ana de Armas, and Sydney Sweeney — yes, Sidney Sweeney — battle the elements and each other when, unlike the boys in Flies, they choose to escape 1931 Germany for new lives on a Galapagos island.

Apparently, Howard had trouble finding a distributor for his film, possibly because it’s quite the departure for the usually wholesome director. There is much sex and violence in the movie. But it’s never dull. Release: 2024  Grade: B+

 

Would I watch it again?  It’s often unpleasant but, eventually, sure.

 

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Relay

 

Relay was such a good movie — until it wasn’t.

It was a superb thriller that had the makings of a modern-day The Conversation — until it didn’t.

I was ready to give an “A” grade to the film, something I don’t do very often, until the last 15 minutes or so of the story. I’m still giving it a high grade because 90 percent of the film is deserving.

Leads Riz Ahmed and Lily James star as a New York fixer and the whistle-blowing client he’s helping avoid the wrath of Big Pharma. Ahmed, especially, shines as the kind of loner played by Gene Hackman in The Conversation: exceptionally good at his job yet haunted by all the grey areas he needs to navigate to help whistleblowers who change their minds. The villains, especially Sam Worthington, are everything you want in your bad guys. The movie is all tense cat-and-mouse dealings between these factions. Until the final scenes.

What went wrong? Did screenwriter Justin Piasecki decide his film needed more drama? Did someone in marketing determine that clips of people speaking in hushed voices and typing on laptops wouldn’t make for a spicy-enough trailer? Either way, when the film devolves into cliched shootouts and chases, it loses its chance at greatness. Release: 2024 Grade: B+

 

Would I watch it again? Definitely.

 

© 2010-2025 grouchyeditor.com (text only)

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Eight years ago, I reviewed a movie called Her. The subject was artificial intelligence and its relationship to humans. I gave the film an A- grade because it made me “think and feel,” which seemed to me a rare combination.

Yesterday I watched a movie called Companion, also about A.I. and its relationship to human beings. I didn’t like it, because it made me neither think nor feel. The characters, both human and robotic, were unappealing. The story ditched any sort of timeliness or insight in favor of action, slapstick, and gore.

You might think, with Hollywood on edge because of the looming threat of A.I.-generated movies, that filmmakers would emphasize the advantages of human art.

Instead, this movie made me think they’ve all but waved the white flag of surrender.

 

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Hmmm … perhaps I should take this woman up on her offer.

During COVID, I got fired for refusing to get the jab.

A few years ago, I learned from a manager that, at raise time, I was penalized for not attending “optional” DEI meetings.

Those might not be discrimination for being a straight white male, but they were certainly discrimination for not adhering to liberal dogma.

A nice little lawsuit or two sounds pretty good to me.

 

© 2010-2025 grouchyeditor.com (text only)

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The Craig Curse?

 

When Knives Out premiered in 2019, it was a breath of fresh air. It was a well-made film with big stars that was NOT a sequel or fantasy or superhero flick. It wasn’t a great movie, but I enjoyed it. The star of this old-fashioned whodunit was Daniel Craig.

When the James Bond franchise rebooted in 2006, the new 007 was played by Daniel Craig. It was deemed a success by critics and audiences alike. Sadly, it was all downhill for Mr. Craig and Mr. Bond after that.

I just watched Wake Up Dead Man on Netflix, and it looks like another downward spiral for a Craig franchise. His Benoit Blanc, funny and original in 2019, is now a dead-serious bore. The whole movie has ditched the sense of fun the series had six years ago. Rather than amuse us, writer-director Rian Johnson wants to make us think. Blanc doesn’t make us chuckle; he talks about religion and the Bible and the Catholic church.

That’s not what I want from a Knives Out movie. 

Of course, none of this is actually Craig’s fault. It’s the desire of Hollywood producers to inject wokeness and/or politics into what used to be entertainment.

 

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I might have to move. It’s getting too embarrassing to let people know that I live in Minnesota. It’s not just the awful politicians; it’s the fact that so many Minnesotans vote for them.

 

© 2010-2025 grouchyeditor.com (text only)

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I live just a few miles from Minneapolis. I grew up in Minnesota.

I blame all of these problems with fraud and Somalis and Walz on this:

 

 

Back in 1973, thanks in large part to the above cover story in Time, “Minnesota Nice” became a thing.

The polite Scandinavians and Germans who largely populated the area took this as a compliment and have been trying to live up to “nice” ever since. Movies like Fargo with its lovable police chief didn’t help matters. The country had New York for rudeness; now it had its opposite in the Midwest.

Trouble is, not everyone interprets “nice” the same way. Some ingrate Somalis and other charlatans see it as synonymous with naive at best, and stupid suckers, at worst. 

And so here we are.

 

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Trump is always in the news. The Supreme Court gets its share of headlines. Even the U.S. House regularly contributes news, good or bad, to the media.

But what the hell does the U.S. Senate do? Anything? Hide?

This guy Thune, the senate majority leader, seems worthless:

 

 

© 2010-2025 grouchyeditor.com (text only)

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