by Julie Schumacher
Don’t be misled, as I was, by the blurbs describing Schumacher’s book as a “biting satire” about university politics. The stakes in Shakespeare are too slight (or are treated that way). There isn’t a serious page to be found. It’s more Three Stooges than Catch-22: “verbal slapstick,” I’d call it – but I mean that as a compliment.
I haven’t been this pleasantly surprised by a comic novel since I discovered Janet Evanovich’s One for the Money 15 years ago. Evanovich’s Stephanie Plum novels and their assortment of New Jersey oddballs are somewhat less-sophisticated cousins to Schumacher’s collection of scholars at “Payne University.”
In most novels with a large ensemble of characters, I inwardly groan whenever the action shifts to some of them. There are always at least a few people who bore or irritate me, and I grow impatient to get back to the characters I really care about. Not so with Shakespeare. Every teacher, student, or staff member Schumacher introduces is a comic delight.
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