Category: Books

by Bill Bryson


Bryson is a genial fellow, and very few writers do gentle humor better than he does, but this short biography (barely 200 pages) is really just an intro to The Bard.

What’s notable isn’t what we learn about Shakespeare, but how little we learn about Shakespeare. There simply isn’t much in the historical record, and what there is, is often incomplete or vague. Not Bryson’s fault, of course. He obviously loves Shakespeare and that feeling is contagious.

Even so, this is less a book about the great writer and more a picture of what life was like in England 400 years ago.  My advice: If you’re really into Shakespeare, find a more substantial book. And if you’re really into Bryson, he has better (and longer) works out there.


© 2010-2020 (text only)


by G.K. Chesterton


Chesterton was obviously influenced by Arthur Conan Doyle when he penned these eight short stories, with Horne Fisher a variation on Sherlock Holmes and journalist Harold March in the role of Dr. Watson. In each story, some sort of crime is committed, usually a murder, and everyone is flummoxed save the wise and world-weary Fisher. Alas, unlike the cocaine-ingesting, violin-playing Holmes, Fisher is a bit too enigmatic to make a strong impression. (Chesterton also created priest-detective “Father Brown,” a character who has better stood the test of time.)

Chesterton’s stories are also heavily invested in the politics of the day (the 1920s). But this intermingling of mystery and social issues dilutes the overall effect. The suspense is interrupted by political digressions, and the politics aren’t explored enough to resonate.


© 2010-2020 (text only)


by Bryan Gruley


A 15-year-old autistic boy goes missing and his parents receive cryptic texts and e-mails, including an apparent ransom demand.

Bleak Harbor was just … average; not terrible, but certainly nothing special. There is a lot of texting and hacking and computer sleuthing, which I suppose modernizes the plot, but this is a story we’ve read many times before. There is, of course, a “big twist” near the end. Alas, the unexpected turn isn’t particularly credible.


© 2010-2020 (text only)


by Charles Krauthammer


I used to watch Charles Krauthammer spar with Bill O’Reilly on Fox News and be reminded of Dr. Strangelove, the wheelchair-bound, hawkish lunatic from Stanley Kubrick’s movie. I thought of Krauthammer as a conservative villain. Problem is, that’s about as much as I thought of the psychiatrist turned political pundit; I certainly didn’t listen to what he had to say. That was my mistake.

I still don’t agree with everything he has to say in Things That Matter, a collection of his essays from the 1980s until 2014. But I respect his opinions, whether about domestic policy, international issues or, well, his love of chess. Krauthammer’s essays are sprinkled with wit and, yes, wisdom. The man did his homework.

As might be expected from a conservative columnist, there is much criticism of Obama in the book. My guess is that, were this book more current (Krauthammer died in June), he would also deploy his rapier wit against our current president.

I wish he was still around to appear on cable news. If nothing else, his calm demeanor would be a welcome respite from all of the shrieking hysterics.


© 2010-2020 (text only)


by Jefferson Farjeon


A gathering of upper-crust Brits and their servants fall under suspicion when foul play interrupts a weekend retreat. This 1936 whodunit is pretty much what you’d expect, if what you expect is an English country-house murder mystery with Agatha Christie DNA in its bones. Farjeon is no Dame Agatha, but a few of his characters – in particular an acerbic journalist named Bultin – are amusing.


© 2010-2020 (text only)


by Arthur Conan Doyle


When I think of Arthur Conan Doyle, like most people I think of his most famous creation, the indomitable Sherlock Holmes. Or perhaps I think of the author’s storied fascination with the paranormal. I did not, until now, think of great adventure tales, in the vein of Jules Verne or H.G. Wells. The Lost World, however, is a genuine classic of the genre, with its short but thrilling depiction of four men discovering a prehistoric land in the depths of Brazil, and their dual struggle to survive that environment and to convince the outside world of its existence.

The story, published in 1912, is old hat in 2018, of course. Large chunks of the narrative are politically incorrect, what with its quartet of European white men dominating and condescending to numerous people of color. But the adventure is the thing in Lost World. And by George, what a delightful twist ending – “Lake Gladys,” my ass!


© 2010-2020 (text only)



by Camille Paglia


I am drawn to feisty intellectual Camille Paglia for two reasons: 1) Being a straight man, I appreciate any feminist, like Paglia, who does not indulge in obligatory male bashing, and 2) I share Paglia’s aversion to “herd mentality.” She’s a contrarian, but often for good, fact-based reasons. It’s refreshing to find a feminist willing to take on “women’s studies” dogma and cultural icons like Gloria Steinem.

Her main theme in this collection of previously published essays is that modern feminism downplays human nature — or the role of biology — in modern life. Every problem cannot be solved by social engineering, she believes. We are who we are.

A minor complaint: If you don’t know what Paglia makes of Katharine Hepburn, Amelia Earhart, or Dorothy Parker, she will let you know on page 35. And on page 176. And on page 222. Etcetera, etcetera. If you weren’t aware that Paglia wrote a feminist-themed letter to the local editor when she was just a teenager, she will relate that story multiple times.

Then again, this is a collection of Paglia musings from a period of 25 years. If you feel you are a lonely voice in the feminist wilderness, you probably feel the need to repeat yourself.


© 2010-2020 (text only)


by Gary Larson


I pretty much lost interest in the “funny pages” decades ago because so few of them were actually funny. An exception was Gary Larson’s single-panel classic, The Far Side. Larson’s loopy, goofy illustrations looked adolescent but displayed out-of-left-field wit. I mean, how can you not smile at this?



That’s the first cartoon you see in The Far Side Gallery, an anthology of Larson’s syndicated strips from 1982-84. Here is another example from the book:



But I have to admit that I found this book a bit disappointing. For every absurdist gem like the two examples above, there are a dozen entries that seem either dated, lame, or (to me, at least) incomprehensible. Maybe Larson improved with age; perhaps by purchasing this collection of his early work, I just picked the wrong years.

But man, when Larson was good, he was very, very good.


© 2010-2020 (text only)


by Steven Naifeh and Gregory White Smith


Near the end of Final Justice: The True Story of the Richest Man Ever Tried for Murder, Charlie Rose interviews multimillionaire Cullen Davis for Rose’s TV show. A Texas jury had just acquitted Davis of killing his wife’s lover and a 12-year-old girl:


“Has your life gotten back to normal,” asked Rose in a husky, intimate whisper. “I mean, can you live a normal life ever again?”

“Normal would be walking down the street without being recognized by anybody,” Cullen replied. “That’ll never happen.”


Davis was right about that. One day in the 1990s, some 15 years after the 1976 murders, my wife and I were crossing a skyway in downtown Ft. Worth.  I caught the eye of a man headed in the opposite direction: a slight, dapper-looking fellow with a “cat that ate the canary” glint in his eye. He looked first at my wife and then at me. There was a trace of a smile on his thin lips.

It was, I knew instantly, Cullen Davis.


Rose gingerly turned the questioning to the murders. “Are you afraid, living in the mansion?” he asked.


At about the same time as our Davis sighting in the skyway, we lived near the infamous “murder mansion” on Mockingbird Lane in Ft. Worth. By then, the Davis trials were fading into history and the mansion itself was a long-abandoned wreck. Ghoulish curiosity seekers (including us and our friends) would spend a Saturday or Sunday squeezing through a vandalized plywood barrier to explore the once-lavish, $35 million palace, now dark, musty, and ravaged by souvenir hunters. (I confess that I took a piece of floor-tile from the kitchen – site of one of the murders.)

I mention all this because it’s not often that I read a true-crime book in which the (alleged) killer is someone I’ve seen up-close-and-personal, and whose former home I’ve helped ransack.

But pilfering floor tiles is nothing compared to the hijacking of the judicial system pulled off by Davis and his colorful, apparently conscienceless lawyer, Richard “Racehorse” Haynes, in three trials conducted in the late 1970s.

You think the O.J. Simpson trial was a miscarriage of justice? Check out the Davis trials, in which multiple witnesses — including victims shot point-blank by “a man in black” — identified Davis as the perpetrator, and yet Texas juries could not bring themselves to convict.

Apparently, jurors were awestruck by the strange little man’s wealth and charisma.

I certainly wasn’t awestruck when I locked eyes with Davis in that skyway, nor when I trespassed in the cavernous halls and living rooms of his haunted house.  I was creeped out.


© 2010-2020 (text only)


by Agatha Christie


If you do an Internet search of “best Agatha Christie books,” you’ll find this novel in many top-five lists, along with Christie classics like And Then There Were None, Murder on the Orient Express, and The Murder of Roger Ackroyd. I’m a bit surprised by that.

Pigs is a typical Hercule Poirot investigation, with the Belgian detective interviewing a series of murder suspects and then amazing everyone when he unmasks the killer. But unlike the classic mysteries listed above, Pigs doesn’t feature anything particularly clever or groundbreaking in the genre. It’s entertaining, but routine Christie.


© 2010-2020 (text only)