.                         King

 

Seems clear that Larry King is out to convince the rest of us that the male midlife crisis does not strike until one reaches age 76.  Last night, Larry was on CNN talking to Willie Nelson about the joys of smoking pot.  A few weeks ago, the King of swing was out joyriding in L.A. with Snoop Dogg (above).  And now he is all over the gossip rags for allegedly having an affair with his wife’s younger sister.

Who says life begins at 40?

 

*****

 

Oprah

 

Entertainment Weekly informs us this week that Oprah Winfrey is “America’s best girlfriend.”  Hmmm.

Apparently Entertainment Weekly doesn’t consider the male of the species to be American, because I have a hard time believing that many (straight) men consider Oprah Winfrey to be their “best girlfriend.”

 

*****

 

Serafin            Serafin2            Serafin3

 

Some years ago there was a news story about a woman who suffered seizures whenever she heard Mary Hart’s voice on Entertainment Tonight.  Seemed unlikely at the time … but now I believe it, because I find myself uncontrollably frothing at the mouth every time Kim Serafin shows up on CNN’s Showbiz Tonight.  Why can’t this woman hold her head still?  Her bobble-head is driving me to distraction.

 

© 2010-2026 grouchyeditor.com (text only)

Share

Two1

 

I have an idea for a movie.  We’ll cast the two romantic leads from today’s biggest film, Zoe Saldana and Sam Worthington of Avatar, as an attractive young couple.  We’ll follow them through a cute courtship, then veer into their squabbles over money, child-rearing, and sex.  For good measure, we’ll have them cheat on each other.  Sound like something you’d like to see?  No?

It’s a tribute to old-time star power that Audrey Hepburn and Albert Finney pull off this scenario so effortlessly in Two for the Road, director Stanley Donen’s 1967 comic drama.  And yes, there is a lot of humor in the movie. 

Donen uses flashbacks and flash-forwards to chronicle 12 years in the lives of Mark and Joanna Wallace, allowing us to see up close how even an apparent match-made-in-heaven can falter.  With the wrong actors, this wouldn’t work, but hey, we are talking Hepburn and Finney here.  Hepburn, as she so often played in her career, is physically frail yet deceptively tough.  Finney is all gruff and bravado, yet deceptively soft.

The lush cinematography is a bonus as the Wallaces embark on a series of road trips in Europe — many of them quite funny.  And once again, I find myself praising the musical talent of the film’s scorer, Henry Mancini.

So do the Wallaces have a happy ending?  I won’t say, but I will say I’ve thought about which ending — split up or stay together — would make for a more satisfying film, and that’s a very tough call.      Grade:  A-

 

Director:  Stanley Donen  Cast:  Audrey Hepburn, Albert Finney, Eleanor Bron, William Daniels, Claude Dauphin, Nadia Gray  Release:  1967

 

Two2

Two3    Watch the Trailer (click here)

 

© 2010-2026 grouchyeditor.com (text only)

Share

Avatar big

 

Movie lore tells us that James Cameron devoted years to his latest project, the box-office sensation Avatar.  I sincerely hope Cameron used most of that time perfecting the special effects, because it’s apparent he didn’t spend more than 15 minutes on the film’s story, dialogue, or acting.

I give Avatar an above-average rating because the 3-D technology really is captivating, at least at times.  For an action spectacular, it’s ironic that the illusion is most effective in quieter moments:  Drifting sparks from a flame, floating jellyfish, dangling vines, and a simple pane of glass are uncannily realistic.  The ballyhooed flying and battle scenes, conversely, are so loud and busy that the 3-D effect is lost in all the jumble.

Avatar is like an amusement-park ride — a lot of fun at the time, but something you don’t much think about an hour later.  Speaking of time … Cameron seems inordinately fond of his “blue people’s” bare butt cheeks; I only wish he was more considerate of mine, which during an interminable two hours and 42 minutes were alternately aching or falling asleep.

As for the alleged politics of this film, I think it’s much ado about nothing.  Avatar’s plot and characters are much too cartoonish to be taken seriously.       Grade:  B-

 

Director:  James Cameron  Cast:  Sam Worthington, Zoe Saldana, Stephen Lang, Sigourney Weaver, Michelle Rodriguez  Release:  2009

 

Avatar small     Watch Trailers and Clips (click here)

 

© 2010-2026 grouchyeditor.com (text only)

Share

Laura1

 

Mirror, mirror, on the wall, who’s the most beautiful star of all?

Could it be a woman so stunning she can make a man fall hopelessly in love with her portrait?  Or possibly an actress who — 65 years after her signature role and 30 years after her death — still mesmerizes audiences as Laura Hunt, the heroine of director Otto Preminger’s classic mystery, Laura?

Gene Tierney is perfectly cast as the unattainable Laura, but the film might be as impenetrable as Laura’s veneer were it not for a couple of standout male performances.  Dana Andrews is nearly as enigmatic as Tierney in his portrayal of a lovelorn homicide detective, a man who avoids eye contact with the people he interrogates, yet who can’t stop staring at that portrait of an apparently murdered woman.  And Clifton Webb, as the sardonic Waldo Lydecker, proves that no Hollywood actor was as adept at the witty putdown.

But the movie belongs to Tierney, the inspiration for both the painting (in reality a touched-up photo) and the memorable title song.   Said David Raksin, composer of “Laura”:  “When I was working on the score, I kept looking at her all the time.  There’s this fabulous creature.  You come across something marvelous and it inspires you.”      Grade:  A

 

Laura3

 

Director:  Otto Preminger  Cast:  Gene Tierney, Dana Andrews, Clifton Webb, Vincent Price, Judith Anderson  Release:  1944

 

Laura2      Watch the Trailer  (click here)

 

© 2010-2026 grouchyeditor.com (text only)

Share

by Daphne du Maurier

Don't Look

 

Years ago I read Daphne du Maurier’s spellbinding Rebecca, and to this day I believe it’s one of the best novels I ever picked up.  So how are her short stories?  My impressions:

Don’t Look Now 
features nine du Maurier tales of the supernatural.  She was a versatile writer, in that her narrators are young, middle-aged, male, and female.  The stories range in tone from whimsical to dead serious.  Rod Serling might have been impressed by du Maurier, because most of  her stories have nifty, Twilight Zone-style endings.  In fact, I think Serling might have borrowed some of her plots (we know that Hitchcock did).  Best of the stories here: “The Birds,” “Don’t Look Now,” and “Monte Verita.”

 

© 2010-2026 grouchyeditor.com (text only)

Share

Experiment

 

It’s a tough sell to describe any film from 1962 as “frightening” to an audience today.  We live, after all, in a movie world of three-dimensional buckets of gore — not to mention terrorism in real life.  So how about I just call Experiment in Terror “effective and creepy”?  It’s definitely that, in no small measure thanks to an unlikely director and a musical genius.

Blake Edwards, whom most people associate with comedy (the Pink Panther films), made just one excursion into the realm of suspense, but it was a doozy.   Experiment stars Lee Remick as unfortunate bank teller Kelly Sherwood, targeted by asthmatic menace “Red” Lynch (Ross Martin) to steal $100,000 from the bank where she works.  Lynch, to prod Kelly along, embarks on a systematic terror campaign, including the abduction of her younger sister.

Edwards filmed the movie in black-and-white and his use of light and shadow is masterful;  San Francisco at night never looked eerier.  Bit by bit, Edwards reveals his villain to the audience — first shadows, then a closeup of a mouth, then a profile — as Lynch gradually escalates his threats against Kelly.

Aiding and abetting all of this is a hair-raising musical score courtesy of Henry Mancini.  Mancini’s music is creepy and crawly, like footsteps slowly advancing up the basement stairs, making their way toward you in the dark.     Grade:  A

 

Director:  Blake Edwards  Cast:  Lee Remick, Glenn Ford, Ross Martin, Stefanie Powers, Roy Poole, Ned Glass  Release:  1962

 

Experiment small1  Experiment small2

                                            Watch the Trailer (click here)

 

© 2010-2026 grouchyeditor.com (text only)

Share

Fright1

 

Lots of movies try to mix humor with horror, but not very many of them get the recipe right.  Fright Night, from 1985, is an exception.  Chris Sarandon oozes menace and charm as the vampire next door, and veteran Roddy McDowall is a hoot as a TV horror-movie host turned reluctant Van Helsing.

 

Fright2

 

Fright3    Watch the Movie Free (click here)

 

© 2010-2026 grouchyeditor.com (text only)

Share

Cube

 

Cube is one of those little films you stumble upon while channel surfing at 1 a.m., fully intending to switch stations after watching for a few minutes.  Or maybe just a few more minutes … hey wait — this movie is intriguing.

Six disparate characters — including a doctor, a cop, a math whiz, and an autistic young man — wake up inside a gigantic Rubik’s Cube, with no idea how they got there and, more to the point, how to get the hell out.  The solution involves a lot of math, but for the number-challenged among us, that doesn’t detract from the fun. It turns out that our panicky protagonists are not in just one block, but in a master cube composed of thousands of interlocking rooms, many of them equipped with deadly booby-traps.

Cube gets a bit scrambled when the script calls for the characters to interact with each other, rather than the maze, because they aren’t written with much depth.  And the conclusion will probably leave some viewers dissatisfied.  But the ending isn’t really that important.  It’s a bit like solving a crossword puzzle and leaving a few blank squares.  It’s enjoyable getting to the end, even if the puzzle’s not 100 percent complete.       Grade:  B

 

Director:  Vincenzo Natali  Cast:  Julian Richings, Nicole de Boer, Nicky Guadagni, Maurice Dean Wint, David Hewlett, Andrew Miller, Wayne Robson  Release:  1998

 

Cube small      Watch Trailers (click here)

 

© 2010-2026 grouchyeditor.com (text only)

Share

Woods1

 

Tiger Woods is a genius.  Tiger Woods is stupid.  Cable talk-show hosts keep asking guests to comment on Tiger Woods, and most of them say we should just leave him alone.  Well … this is what happens when you make millions off such a wholesome image.

Joy Behar made a good point the other night:  When are the media going to ask Tiger’s wife, Elin, how well she knew this philandering guy before she married him?  Could it be that she knew a lot?  (Same question for Sandra Bullock.)

 

Woods2

 

*****

 

Qatar2     Qatar

 

A low-level diplomat from Qatar tries to sneak a smoke in an airplane bathroom … and the FBI is summoned.  Isn’t this the kind of “crime” committed every day in junior high schools?

 

*****

 

Bieber

 

About a month ago, I was watching Jimmy Kimmel’s show when he did a segment about a little girl who was infatuated with a teen pop star.  Kimmel arranged to have the pop star surprise the precocious tot with a visit on the show.  It was cute.  End of story, I thought.

Some time later, I noticed the pop star’s name, Justin Bieber, in the newspaper.  Then he showed up in Newsweek.  And in Time.  And in Entertainment Weekly.  And on Chelsea Handler’s TV show.  Now I see that the kid is slated to appear on Saturday Night Live.  Who the hell IS this kid?  God, I must be old.

 

© 2010-2026 grouchyeditor.com (text only)

Share

Date Night

 

How do you take a great concept, two hot stars, lots of money … and then produce something as abysmally bad as Date Night?  I don’t know the answer to that one.

Wait, I do know the answer:  It’s called a lousy, cliche-ridden script.  I keep harping on this Hollywood deficiency, but of course my whining doesn’t matter, and neither would yours.  The Tinseltown suits are confident that gullible moviegoers will turn out in droves if they can just keep feeding them a) awesome special effects, b) the right celebrities, or c) a plot that sounds good on paper and can be explained in two sentences or less.

Still, I had high hopes for Date Night, in which Steve Carell and Tina Fey play an ordinary suburban couple inadvertently tossed into criminal mischief on their weekly night out, and all of this playing out against the perfect background — Manhattan after dark.  This is territory that Martin Scorsese mined to perfection in After Hours, and that Jack Lemmon and Sandy Dennis stumbled through amusingly in The Out of Towners.

The disaster that is Date Night is not the fault of Carell and Fey.  In fact, the two stars are the only reason to keep watching the stupid thing.  To their immense credit, Carell and Fey somehow retain our sympathies through ridiculous plot twists, childish dialogue, and obligatory car chases.  Aside from its stars, I could come up with just one reason to recommend Date Night:  There are few, if any, special effects.      Grade:  D+

 

Director:  Shawn Levy  Cast:  Tina Fey, Steve Carell, Mark Wahlberg, James Franco, Kristen Wiig, William Fichtner, Mila Kunis, Ray Liotta, Gal Gadot  Release:  2010

 

Date Night small     Watch Trailers and Clips (click here)

 

© 2010-2026 grouchyeditor.com (text only)

Share