The Grouchy Editor

I believe I finally know enough about Bobby Fischer.

I remember when Fischer, in 1972, defeated the Russian Boris Spassky and became world chess champion.  In the years since that historic match in Iceland, I’ve read many articles about the strange boy wonder from Brooklyn.  Earlier this year, I consumed Endgame, a 416-page biography of Fischer’s evolution from chess prodigy to infamous anti-Semitic, anti-American, radio-ranting fugitive from the law.

And now, thanks to Liz Garbus’s documentary, Bobby Fischer Against the World, I even know what Fischer’s backside looks like in the shower.  Other than that unexpected visual, the movie didn’t really show me anything new about the person Life magazine dubbed “The Deadly Gamesman.”

But the film is still intriguing, mostly because its subject remains such an enigma. Nothing I’ve read and nothing in this documentary really explains the reason behind Fischer’s intense drive.  Bobby Fischer became the world’s best chess player because, basically, chess was all he did.  No football games with the boys for young Bobby, and no girls in the backseats of Chevys.  Just Bobby and a chessboard – thousands and thousands of times, for years on end.

Fischer simply fell in love with the game and, whenever possible, used it to escape from the outside world.  Ironically, that obsession eventually brought the outside world to him.  If Fischer were alive (he died in 2008), he might say the makers of this movie got the title backwards – he would probably prefer The World Against Bobby Fischer.

Fischer’s single-minded drive cost him a chance at a well-rounded, balanced life – and quite possibly his sanity.  That’s enough for me to know.        Grade:  B

Director:  Liz Garbus  Release:  2011

Watch Liz Garbus Discuss Her Film (click here)

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When the end credits began to scroll for the new documentary Project Nim, I rose from my seat to leave but found the aisle blocked by a young boy and his family.  I tapped the kid on his shoulder, made a slitting gesture across my throat, and said a single word to him:  “Dirty.”  The kid smiled, stood up to let me pass, and asked his parents to do likewise.

The kid and I had communicated like Nim Chimpsky, the “star” of Project Nim.  Nim, a chimpanzee born in captivity, was the subject of a famous – or infamous – scientific experiment that began in 1973 when a Columbia University behavioral psychologist and his students began a sort of English immersion project for Nim.  The idea was to place the chimp with a New York City family – husband, wife, kids and pets – and to raise the little fella exactly like a human infant.  The goal was to determine whether chimpanzees can learn language – not just symbols and memorization, but real grammatical communication.

Depending on whom you believe, the experiment did or did not go well.  After years living with the LaFarge family, Nim was transferred to a string of unpleasant new homes, including an animal medical research lab.

Project Nim is a remarkable movie.  It tells the sad story of Nim, certainly, but it also reveals a lot about the people in his world, including project leader Herbert Terrace, a man seemingly more interested in bedding female undergrads than in making good science and who, probably to his regret, allowed director James Marsh to interview him for this film.  There is very little humor in Project Nim, but the audience broke out in derisive laughter whenever the unctuous, clueless Terrace attempted to justify his self-centered behavior.

Some people love animals, and some do not.  I’d call myself a “dog person.”  I’m not all that crazy about other creatures, including cats, birds … and chimpanzees.  Face it:  Chimps grow monstrously strong, frighteningly aggressive and, as demonstrated in the movie, disturbingly horny.  Nim was no exception – he was no Old Yeller, and he wasn’t Bambi, either.

But when Nim is torn from his human environment and consigned to a lifetime of caged isolation, you have to be pretty cold-blooded not to feel for him.  One episode near the end of the film, when a former “family” member comes to visit Nim in his pen after years of absence, took me completely by surprise with its emotional power.

Oh, yeah.  You might be wondering about that business between the kid and me at the end of the movie; the boy who let me pass after I gestured at him and said, “Dirty.”  What was that about?  I could tell you, but I don’t want to.  You’ll have to see Project Nim to find out for yourself.        Grade:  A-

Director:  James Marsh  Release:  2011

       Watch Trailers and Clips  (click here) 

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I’m guessing Hesher will look great in its promotional spots:  See zany Hesher, the long-haired, tattooed stoner, teach granny how to smoke a bong!  See Hesher freak out and hurl furniture, grills, and people into a swimming pool!  Watch as Hesher teaches dirty words to a little kid!

But here’s the problem:  People who buy tickets hoping to see Joseph Gordon-Levitt as the title character doing all of those wild-and-crazy things will get their wish, but they’ll probably be mildly disappointed, as well, because this movie wants nothing so much as to tug at the heartstrings, and as a mixture of comedy and drama, Hesher is a mess.  It’s an admirable, interesting misfire, but a misfire nonetheless.

The film has a cute premise.  Party animal Hesher meets 13-year-old TJ (Devin Brochu), invites himself into TJ’s home and life … and then refuses to leave.  This new arrangement does not bother TJ’s father (Rainn Wilson), a man so lost in grief over the car-accident death of his wife that everything escapes his notice, including the fact that he’s been staring glassy-eyed at Wild Kingdom on the TV screen for weeks.  TJ’s sweet-natured grandmother, played by Piper Laurie, takes an instant liking to her grandson’s new “best friend.”

Hesher turns out to be the anti-Mary Poppins for this family of three still reeling from the loss of the mother.  Rather than offer a spoonful of sugar, Hesher prescribes a bongful of weed for granny, and a crash course in arson for TJ.  That might sound amusing, but Hesher also tackles somber issues, like grief and schoolyard bullies, with clumsy shifts in tone.  It doesn’t help that 20-something Hesher’s “bond” with young TJ is less than convincing.  (Natalie Portman, cast against type as a bespectacled, accident-prone cashier, is surprisingly good.)

This mix of madcap stoner and mopey mourners might have looked good on paper (and in trailers), but Hesher is too often a kegger with flat beer.       Grade:  C+

Director:  Spencer Susser  Cast:  Joseph Gordon-Levitt, Natalie Portman, Rainn Wilson, Piper Laurie, Devin Brochu, John Carroll Lynch, Brendan Hill  Release:  2011

Watch Trailers  (click here)

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The last time I watched a film co-produced by Spain and Argentina, the result was one of the best pictures of the year – from any country.  That was in 2010, and the movie was the romantic thriller, The Secret in Their Eyes.

So when I walked into a theater a few nights ago to see another Spanish-Argentinean project, my expectations might have been too high.  Director Miguel Cohan’s No Return is intelligent, well-acted, and has an intriguing story … but it feels flat.

No Return depicts the consequences of a tragic car-bicycle accident.  Young Pablo is struck not once but twice – the second time fatally while he is tending to his broken bicycle on a street in Buenos Aires.  Like the spokes of the wheel on Pablo’s battered bike, the repercussions of the accident spread out in multiple directions.

Three families are affected:  Hit-and-run driver Matias (Martin Slipak) and his parents; the father (Federico Luppi) of the accident victim; and entertainer Federico (Leonardo Sbaraglia), who is falsely accused of the crime.  As each group deals with the fallout from the accident, which becomes a media event, No Return is compelling – but not particularly moving.  I think this is the case because Cohan’s script asks the audience to invest emotionally in too many characters over a short period of time.

No Return is one of those films you are happy to have seen, but will probably not revisit.             Grade:  B

Director:  Miguel Cohan  Cast:  Leonardo Sbaraglia, Martin Slipak, Barbara Goenaga, Luis Machin, Ana Celentano, Arturo Goetz, Agustin Vazquez, Federico Luppi, Pedro Merlo  Release:  2010

     Watch the Trailer  (click here)

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Tucker & Dale vs. Evil has some of the funniest sight gags I’ve seen in a long, long time.  Rookie director Eli Craig’s horror-comedy takes the redneck-slasher flick, hangs it upside down from a meat-hook, and invites us to laugh at the fallout.

Outside of a Three Stooges short, it’s probably not possible to make a movie with nonstop visual jokes, but that’s a shame because there are some doozies in this farce.  After watching Tucker and Dale do their thing, seeing Leatherface brandish a chainsaw will never again seem so threatening.  Alas, there is also bad news:  Tucker & Dale has a plot. 

Dale (Tyler Labine), one of our two hillbilly heroes, is fat and slow on the uptake, but blessed with a heart of gold.  He and buddy Tucker (Alan Tudyk) want nothing more than some peace and quiet on their vacation at Tucker’s woodland cabin.  When some college kids – airheads who’ve seen way too many movies – invade the boys’ West Virginia mountain retreat, we know nothing good will come of it.  There will be blood – just not in the ways you might think.

One of the college kids is super-sexy-smart Allison (Katrina Bowden), a psychology student, and Dale is instantly smitten.  If you’ve seen any Judd Apatow movie, you know exactly how this will turn out:  In the fantasy world that Hollywood regularly offers to teenage audiences, every slob gets his girl.

Tucker & Dale runs out of steam at about its midpoint, when plot gets in the way and the movie devolves into the same kind of silly slasher flick it has been lampooning so admirably.  My advice to you:  Whenever the story gets talky and the dialogue turns “serious,” saunter out to the lobby and buy some popcorn, or have a smoke in front of the theater.  Just try to be back in time for the sight gags.        Grade:  B-

Director:  Eli Craig  Cast:  Tyler Labine, Alan Tudyk, Katrina Bowden, Jesse Moss, Philip Granger, Brandon Jay McLaren, Christie Laing, Chelan Simmons, Travis Nelson  Release:  2010

Watch Trailers and Clips  (click here)

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