Lonely1

 

I blame it on Ripley, believe it or not.  Sigourney Weaver’s gun-totin’, ball-bustin’, space-travelin’ Ellen Ripley from the Alien franchise introduced a new type of hero to the action movie:  the kick-ass female.  Weaver’s ballsy character led to Catwoman and Lara Croft and, inevitably, some far-fetched heroines like the one we meet in A Lonely Place to Die.

And so in this British attempt to cash in on the lucrative action-movie market we get Alison (Melissa George), a supermodel-type who, improbably:  1)  dodges bullets;  2) plunges from mountainous crags down to lethal river rapids;  and 3) out-muscles professional killers in hand-to-hand combat.

Alison is the alpha female in a quintet of mountaineers who, during an outing in the Scottish Highlands, discover a Serbian girl who’s been kidnapped and then buried in a box.  The climbers rescue the girl and are then stalked by the kidnappers, two nasty mercenaries who manage to bump off everyone in the cast except for, naturally, Newt and Rip– … er, Alison and the little girl.

A Lonely Place to Die boasts some spectacular views of the Scottish hills, and director Julian Gilbey handles the physical scenes capably.  Movies like this can be fun, provided the more-ridiculous aspects are coupled with a wink at the audience. But Gilbey and the actors treat the material with dead seriousness, so that by the time Alison outduels a killer who is wearing a pig mask, I wasn’t buying a bit of it.   Grade:  C

 

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Director:  Julian Gilbey  Cast:  Melissa George, Ed Speleers, Eamonn Walker, Sean Harris, Alec Newman, Karel Roden, Kate Magowan, Garry Sweeney, Stephen McCole, Holly Boyd  Release:  2011

 

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                                                         Watch Trailers  (click here)

 

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Above, Melissa George as a mountain climber in A Lonely Place to Die.  Below, Melissa George as mountains in Dark City.

 

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Hoop

1994 was a pretty good year at the movies.  Audiences could enjoy Pulp Fiction, The Shawshank Redemption, and Forrest Gump.  Or they could see what was, in my humble opinion, the best film of the year:  Hoop Dreams, a sometimes joyous, sometimes sad documentary about two Chicago high school boys who share a dream of basketball fame and fortune.  Watch it for free by clicking here.

 

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Fat

 

“If you love someone, you forget what they look like.”  — Joy Behar reacting to the ad pictured above, which plugs a Web site for married cheaters.

I don’t know, Joy.  I appreciate the sentiment, but I think I’d have a hard time forgetting the appearance of this little honey.

 

*****

 

Maher2

 

I don’t understand how Elisabeth Hasselbeck became a celebrity.  I remember her, vaguely, from her tenure on Survivor, but only because she pranced around in a bikini.  I guess that she had balls for confronting arch-enemy Bill Maher this week on The View, but she didn’t exactly advance her cause — assuming she has one.

 

Hasselbeck

 

*****

 

Galanos

 

I’m just as pissed as anyone else about the mess at Penn State, but it does make me wonder — whatever happened to innocent until proven guilty?  Has there ever been such a collective rush to judgment?

Possibly worst of all is HLN resident hothead Mike Galanos.  After playing the now-infamous interview in which Bob Costas asked Jerry Sandusky if he, Sandusky, is a pedophile, Galanos barked to viewers, “That was not a yes or no answer!” Granted, Sandusky hemmed and hawed in his reply, but he clearly said “no.”

God help any criminal defendant if Galanos ever lands on the jury.

 

*****

 

Haldeman    Williams3

                      Haldeman                                                            Williams

 

A theory:  The “masters of the universe” on Wall Street and in the business world — like Freddie Mac’s Charles Haldeman and Fannie Mae’s Mike Williams, above — get away with screwing taxpayers and stockholders in large part because they look so … ordinary.

These guys invariably have bland public personalities and John Doe faces.  Hell, even their names are dull.  They remind everyone of the kindly ushers at a Lutheran church.  No one really notices them, which is precisely how they like it as they pick our pockets.

 

*****

 

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Does anyone else recall Bradley Cooper, People magazine’s “Sexiest Man Alive,” from his man-on-man sex scene in Wet Hot American Summer?   Cooper (I know you want the details) assumes the “female position” in his auspicious motion picture debut.

Mel Gibson, some of us miss you.

 

*****

 

Speaking of men kissing men … the Vatican used its clout to get clothing retailer Benetton to stop using a doctored picture of Pope Benedict XVI kissing al-Azhar Sheikh Ahmed al-Tayyeb.  OK, Vatican, you can stop Benetton but you can’t stop all of us.  I will gladly post anything that belittles this Pope, because this Pope shields child molesters.

 

Pope

 

*****

 

Hard to say who had a tougher week:  Joe Paterno, who got fired and learned that he has cancer on the same day, or Robert Wagner, whom the police say is not a suspect in the re-opened Natalie Wood case, but whom everyone thinks is a suspect in the re-opened Natalie Wood case.

 

*****

 

And finally, as a long-suffering Minnesota Vikings fan, I think I might have found a soul-mate:

 

Crying 

Click Here

 

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by Bob McCabe

Screen

 

A real treat for fans, Harry Potter: Page to Screen boasts hundreds of full-color, glossy photos from the creative minds responsible for the eight Potter film adaptations.  That’s the good news.  The not-so-good news:  The accompanying text, although detail-heavy, is a bit bland and what you might expect from the Warner Bros. publicity department – every actor is “wonderful to work with” and “an amazing talent.”  Every director is “brilliant” and “understanding.”  What – in ten years of moviemaking there was no friction on the set?  But this is primarily a picture-book and, although print photography can’t match the clarity of high-definition TVs and computers, there’s still something magical about holding a book like this in your hands.

 

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Harry Potter and his wizard pals had lots of cool gadgets, including flying broomsticks and an invisibility cloak.  One thing they didn’t have was x-ray vision.

Thank goodness we have Hollywood to give us a peek beneath all those witches’ robes:


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Bellatrix Lestrange (Helena Bonham Carter)

 

From Fight Club (below) and The Wings of the Dove (bottom):

 

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*****

 

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Madame Rosmerta (Julie Christie)

 

According to author Peter Bart’s book, Infamous Players:  A Tale of Movies, the Mob (and Sex), Christie and co-star Donald Sutherland took method acting to an extreme in this scene from Don’t Look Now.  Bart, invited onto the set by director Nicolas Roeg, witnessed the filming of the scene and later wrote about it: “It was clear to me they were no longer simply acting:  they were fucking on camera.”

 

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*****

 

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Fleur Delacour (Clemence Poesy)

 

From Welcome to the Roses:

 

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*****

 

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Rita Skeeter (Miranda Richardson)

 

From Dance with a Stranger:

 

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*****

 

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Aunt Petunia Dursley (Fiona Shaw)

 

From Mountains of the Moon, it’s Aunt Petunia’s bush!

 

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*****

 

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Nymphadora Tonks (Natalia Tena)

 

From Mrs. Henderson Presents, and from Afterlife:

 

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*****

 

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Minerva McGonagall (Maggie Smith)

 

From California Suite:

 

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*****

 

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Sybil Trelawney (Emma Thompson)

 

From The Tall Guy and, in the beach shots, courtesy of local paparazzi:

 

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.                                          Thompson5     Thompson6

 

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*****

 

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Molly Weasley (Julie Walters)

 

From She’ll Be Wearing Pink Pyjamas.  Not in this picture, she won’t:

 

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*****

 

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J. K. Rowling

 

Someone lends a hand to the popular author at a party.

 

*****

 

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Hermione Granger (Emma Watson)

 

Emma has thus far managed to keep her on-screen robes buttoned.  However, much to the paparazzi’s delight, she seems to favor unbuttoned tops and see-thru knickers at movie premieres.

 

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Hill

When I was a kid, it seemed as though the same two actors starred in all the scary movies:  Boris Karloff and Vincent Price.  But there was a small problem with that. Neither one of them was particularly frightening.  Karloff looked too old and feeble to do much harm, and Price was too soft and effeminate to stoke fear.  Of course, now I’m older and know better – the old, feeble, soft, and effeminate are the scariest people on Earth.  Watch Price in 1958’s House on Haunted Hill by clicking here.

 

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Fans2

 

“Joe Paterno is Penn State!”  Or so we kept hearing from football fans distraught over the elderly coach’s firing.  I guess that means that Penn State is composed of clueless assholes.  Guess what, Penn State fans?  The vast majority of Americans don’t give a damn about you or your screwed-up school.  But we do take an interest in child molestation and massive cover-ups.

Penn State is playing a game today to begin the “healing process.” Playing the game to “honor the victims.”  What a load of horse manure.  This school needs to be punished before it can begin its “healing process,” and cancellation of its season would be a good start.

Looking at the bigger picture … outside of the Mafia and the Catholic Church, is there any institution more corrupt than college athletics?

 

*****

 

Huff

 

Sadly, my love affair with The Huffington Post seems to be over.  If I say something that she doesn’t like — nothing threatening or obscene, mind you; just things that she does not like — she censors me, apparently.  Not good for a Web site that supposedly champions free speech.

 

*****

 

 

I guess I was spoiled by the Casey Anthony and O.J. trials, but I’m sorry, this Conrad Murray business was as dull as dishwater.  Things perked up a bit when Murray’s stripper girlfriends (including the lovely lady pictured above) took center stage, but that was as exciting as things got.

 

*****

 

Pattern

 

We had the first-ever nationwide test of the emergency broadcast system on Wednesday.  I am noticing more and more of these “tests” during my nocturnal TV vigils.  Should we be concerned about this?  Just curious ….

 

*****

 

Friends

 

I swear, Obama is at his most entertaining when he doesn’t realize he’s being recorded.  First, it was the “clinging to guns or religion” fiasco, now it’s this dig at Israeli Prime Minister Benjamin Netanyahu:

 

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*****

 

I watched a tornado video on the news.  Once upon a time, tornado footage on TV was a pretty big deal.  But in this age of cell-phone cameras, twister videos have sadly gone the way of NASA rocket launches — no longer very special.  On the other hand, that tornado in The Wizard of Oz never gets old, does it?

 

Twister

 

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by Ann Patchett

State

 

Story:  A doctor is dispatched to South America to learn what she can about a potentially groundbreaking drug and also the mysterious death of a treasured colleague.

Good:  Patchett is a gifted storyteller. The steaming, swarming Amazon and its menagerie of snakes, cannibals, and other perils seem very real.

Not So Good:  The plot includes some hefty leaps of faith. Why on earth would a pharmaceutical company send the heroine – an indoor girl” if ever there was one, and certainly no Indiana Jones – on such a hazardous mission into the wilds of Brazil?

Good:  Two themes are intriguing: 1) If an American company discovers the cure for a disease, but can expect little or no monetary gain, is it obligated to persevere for the benefit of third-world countries? 2) Should women well into their 40s – and older – have the right to reproduce, assuming it becomes possible?

Not So Good:  The novel is poorly edited. It’s littered with unclear passages and ambivalent pronouns.

Good:  In domineering “Dr. Swenson,” Patchett creates a true original, an older woman who suffers no fools and delivers an endless supply of amusing quips.

Not So Good:  Most of the other characters, including the heroine and her lover, the ludicrously titled “Mr. Fox,” are flat.

 

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Awakening

From 1988 to 1992, no Hollywood director had more success than Penny Marshall. Her string of hits – both critical and commercial – included Big, Awakenings, and A League of Their Own. These days, Marshall directs TV movies and series. Sometimes, you just got to scratch your head. Watch Robin Williams and Robert De Niro in Marshall’s poignant drama, Awakenings, free of charge by clicking here.

 

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Margin1

 

I don’t know about you, but when I contemplate the SOBs on Wall Street responsible for our financial meltdown, I want blood.  And when I learn that Hollywood has made a movie about the corporate “masters of the universe” who played hell with my 401(k), I want the film rated R — so that the filmmakers are free to dispense some well-deserved carnage and gore on the guilty parties.  In short, I want Gordon Gekko’s head on a stick.

After all, wasn’t it Michael Douglas’s memorable turn as glamorous, villainous Gekko in Oliver Stone’s Wall Street that attracted so many sharks to firms like Lehman Brothers in the first place?

Alas, there is no gore to be found in Margin Call, director J.C. Chandor’s incisive take on financial panic at an investment bank reportedly based on Lehman Brothers.  There is, however, a great deal of emotional carnage in the film.

 

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Chandor’s script depicts one day in 2008 when an entry-level analyst (Zachary Quinto) raises red flags about his company’s shaky business practices.  Faster than you can say “mortgage fraud,” the firm’s honchos are convening in the wee hours of the night to see what they can do to avert disaster.  Their choice is simple:  submit to the consequences of their own negligence, or screw business partners by selling off toxic assets, pronto.  Favored employees will grab whatever can be salvaged — and to hell with everyone else.

Margin Call is an actor’s dream job, and the cast doesn’t disappoint.  Kevin Spacey, especially, is riveting as a sales manager caught in a moral dilemma.  Does he do what’s right and retain the respect of his traders, or does he succumb to the demands of unethical superiors?  The suspense in this film derives not from what is going to happen (we know that), but from how it will happen.

Most of us don’t personally know any hedge-fund managers or Wall Street bankers.  We wonder, justifiably, what kind of monsters some of them might be.  Margin Call wants to show us the humans behind the crisis, and it does so effectively.  Turns out these guys aren’t really monsters — but you wouldn’t mistake them for angels, either.     Grade:  B+

 

Margin3    Margin4

 

Director:  J.C. Chandor  Cast:  Kevin Spacey, Paul Bettany, Jeremy Irons, Zachary Quinto, Penn Badgley, Simon Baker, Demi Moore, Mary McDonnell, Stanley Tucci, Aasif Mandvi  Release:  2011

 

Margin5 Margin6

 

     Watch Trailers and Clips  (click here)

 

 

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