Use

 

Ray

 

Lake Superior State University came up with a list of words and terms that it believes should be banished from the English language.  Nice list, but I would add two more:

“Indie Darling” — I was reading Entertainment Weekly and, on page 12, I noticed an item about “Indie-rock darling Carrie Brownstein.”  In the same issue on page 80, there was a piece about “indie-cinema darling” Parker Posey.  So I did what anyone with too much time on his hands would do, I Googled “indie darling” and another annoying term that pops up everywhere, “(fill-in-the-blank) porn.”

 

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*****

 

Zakaria

 

“Imagine if you flicked on your television and found that the government had cancelled American Idol, 30 Rock, The Office, and Dancing with the Stars.” — CNN’s Fareed Zakaria, commenting on government censorship in China.  Next time, Fareed, could you please pick shows that don’t deserve to be censored?

 

*****

 

Kosik

 

Until this week, I’d never heard of CNN correspondent Alison Kosik.  But on Wednesday I listened as this (presumably) highly paid TV reporter told unemployed Americans that temp jobs are “not that bad.”  Then I read that in October Kosik had mocked the Occupy Wall Street folk.  And I see that she advocates the use of job-killing self-checkout lanes in grocery stores.  So now I know more about Alison Kosik.  She is a jerk.

 

*****


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Runaway:  I love this film.  It’s nine minutes of goofy greatness.  Watch it by clicking here, and thank me later.

 

*****

 

Colbert

 

Stephen Colbert is “running for president.”  Ha ha.  This guy has never struck me as funny.  He is a one-joke act, and I tire of that act after about 15 seconds.  Colbert gets a lot of media attention because of his proximity to Jon Stewart and because he jokes about politics.  But that don’t make him funny, do it?

 

*****

 

I’ve been wondering whatever became of the male stars of Dawson’s Creek.  Turns out that Joshua Jackson, who played Pacey Witter, has been getting up to all sorts of mischief in Latin America.  Just in case you weren’t a Dawson fan, here are a few pictures of Joshua, Hollywood-style (top row), and Joshua, Peruvian-style (bottom row).

 

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*****

 

For some unfathomable reason, there are people interested in the fact that Beyoncé and her husband, Jay-Z, are new parents.  Their baby girl is named Blue, but I’ve been unable to discover her surname.  In fact, I’ve been unable to discover her parents’ surnames.  So I guess I will just call them the blacks and Blue.

 

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Downton

 

The downside of any great TV series is that, at some point, it will run out of creative gas.  You’re not likely to hear anyone proclaim:  “I just watched season six of The West Wing, and the show just keeps getting better and better!”

Eventually, actors leave series for other roles, writers run out of fresh ideas, and shows decline.  Although there are some exceptions, generally the first two or three years of classic series are the best.  My point is this:  Now is the best time to catch Downton Abbey, entering its second year on PBS, and Homeland, which just wrapped its inaugural season on Showtime.

 

Episode 111

 

Homeland

 

Claire Danes is a trip in this psychological thriller about an Iraq war hero who, after eight years as a prisoner of war, returns home to glory and fanfare.  Danes, as a pill-popping, manic-depressive CIA agent, suspects that Sgt. Brody (Damian Lewis) has been “turned” by al-Qaeda and might be involved in a terrorist plot on American soil.

There are some trite elements in Homeland:  an obstinate, preening boss who places obstacles in the heroine’s path; her loyal but ineffectual sidekick, mostly on hand for comic relief.  But Danes’s wild-eyed intelligence operative, Carrie Mathison, is endlessly watchable, and Homeland’s plot has multiple hooks — it’s a whodunit (is Brody a turncoat and, if not, then who is?), a thriller (agents race to prevent an unknown attack on an unknown date), and a romance.  It’s also an effective reminder of how terrorism affects the people who actually fight it.

 

Episode 110

 

Homeland resolves its whodunit about two-thirds into the season, and as a result the show is drained of some suspense.  But the cat-and-mouse relationship between borderline-psychotic Carrie and the intense, enigmatic Brody is riveting.  Carrie is no traditional heroine;  self-absorbed, high-strung, often annoying, she’s not above using sex to get what she wants.  Brody is prickly, paranoid, sexually screwed up, and quite possibly dangerous.  In other words, these two are made for each other — right?      Grade:  A-

 

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Cast:  Claire Danes, Damian Lewis, Morena Baccarin, David Harewood,  Diego Klattenhoff, Morgan Saylor, Mandy Patinkin, Amy Hargreaves, Brianna Brown, Melissa Benoist  Premiere:  2011

 

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*****

 

 

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Downton Abbey

 

The term “soap opera” gets a bad rap.  You could describe much of Shakespeare as “soap opera,” considering all of The Bard’s melodramatic musings on young love, family strife, jealousies, and societal oppression.  Romeo and Juliet, Gone with the Wind, War and Peace, Casablanca — they all have ingredients of  soap opera.  Good soap opera. Which brings me to Downton Abbey, which is superb, polished soap.

 

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As an unpolished Yank, my initial reaction to this world of British aristocrats and their servants was a strong desire to see the various maids and butlers creep upstairs in the middle of the night to slaughter their upper-crust “superiors,” and then serve their hoity-toity kidneys on silver platters in the elegant dining room.  But the genius of series creator Julian Fellowes is a knack for sucking viewers into this stodgy universe.  I wound up caring as much about a pampered rich girl’s marital prospects as I did about a young soldier’s ordeal in the trenches of World War I.

Fellowes overpowered my inner populist by illustrating that all of us — rich and poor — are to some extent powerless in the face of the larger society in which we live.  Or, as a renowned soap-opera writer put it a long time ago, “All the world’s a stage, and all the men and women merely players.”

For the inhabitants of Downton Abbey, both upstairs and downstairs, appearances are everything.  Says the indomitable Maggie Smith, who plays the indomitable Violet, Dowager Countess of Grantham: “The truth is neither here nor there; it’s the look of the thing that matters.”  Packed with wit, subtlety, and soap, Downton Abbey does more than look fabulous.  It is fabulous.       Grade:  A

 

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Cast:  Hugh Bonneville, Elizabeth McGovern, Maggie Smith, Jim Carter, Brendan Coyle, Michelle Dockery, Joanne Froggatt, Phyllis Logan, Laura Carmichael, Dan Stevens  Premiere:  2010

 

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      Watch Trailers and Clips:  Homeland (click here); Downton Abbey (click here)

 

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Cupid

 

Please forgive today’s abbreviated edition of the “Weekly Review.”  Grouchy has been a bit preoccupied of late.  During a recent excursion in cyberspace, he happened upon what might be — hold on — the girl of his dreams.

She’s a lovely lass:  a dog-loving beauty queen, whiling away her days in the Florida sunshine and, no doubt, captivating every man that she meets.

 

Cupid2       CA1

 

The Grouch does not yet know the name of this vision of loveliness (her initials, she teases, are C.A.), but he did manage to grab a screen capture or two of her, and he feels certain that once you gaze upon her sweet visage you will agree with him:  She is every man’s fantasy girl.

 

CA2

 

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Innkeep1 

 

I don’t know about you, but when I board a rollercoaster, the real thrills don’t come from the car’s frenzied drops and loops.  I get my chills earlier, during the ascent as the train ominously clicks, wheezes, and grinds its way to the highest point.  The anticipation, or dread, of what’s about to happen — that’s the best part.

I can’t think of a better analogy than a nail-biting coaster climb to describe Ti West’s directorial style.  West, whose low budget The House of the Devil was surprisingly effective, knows how to turn the screws of suspense.  The Innkeepers, West’s new haunted-hotel movie, doesn’t provide many payoffs to his screw-tightening, but when the jolts do come, they’re nasty.

Sara Paxton stars as Claire, a young woman stuck in a dead-end job at the Yankee Pedlar, a 19th-century hotel preparing to lock its doors after one more weekend of business.  Claire shares hotel duties with fellow slacker Luke (Pat Healy), a nerdish cynic who relieves boredom at the front desk by working on his passion, a Web site devoted to the paranormal.  The only other (apparent) inhabitants of the Yankee Pedlar are a mother and her child, and a sharp-tongued actress (Kelly McGillis) in town for a speaking engagement.

Not much happens in the first hour of The Innkeepers, which is both a good thing and a bad thing.  It’s good because, unlike so many “young-people-in-peril” flicks, in this one we get to know our two heroes and, also unlike the youngsters in so many horror movies, they are actually worth knowing.  Paxton, especially, is adorable as awkward tomboy Claire, who must summon her reserves of courage.  (It’s curious that no matter how many chillers we see with “No! — Don’t go into that room!” scenes, they still work in the hands of a skilled director.)  There is also an amusing bit involving Claire, a leaky garbage bag, and a dumpster.  It has absolutely nothing to do with ghosts or the plot, but it’s priceless, one of the best scenes in the film.

The movie does take a long time to deliver the goods.  The characters, likeable as they are, can’t carry a full hour of thin material.  But for what it is — a small movie intent on delivering shivers — it’s a nice ride.       Grade:  B

 

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Director:  Ti West   Cast:  Sara Paxton, Pat Healy, Kelly McGillis, George Riddle, Alison Bartlett, Lena Dunham  Release:  2011

 

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Watch Trailers and Clip  (click here)



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Amelie

Amelie is one of those “love it or hate it” movies.  I’m guessing that you will know into which category you fall within the first five minutes of the film.  The movie looks great, but has what might kindly be called a “quirky” style.  Read my review of Amelie by clicking here, or go here to watch this award-winning, French (yes, it’s subtitled) romantic comedy. 

(You have to register with Hulu, but it’s free.)

 

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Priests Gone Wild!

Priests

 

Another sign of the coming apocalypse:  brawling Greek Orthodox and Armenian priests.  To watch the melee, go here.

 

*****

 

Bullshit Political “Truisms”

 

1.  There are too many negative campaign ads.  Hogwash.  We love them, we need them, and they have always been part of American politics.

2.  At least he’s consistent and doesn’t flip-flop.  Why on Earth is this considered a virtue?  Hitler was consistent and didn’t flip-flop.  Should we admire him for that?

 

*****

 

My new favorite celebrity grouch is Daniel Craig, who is forever grumbling about something, or someone, to the press.  Recently, the James Bond star has snarled about the Kardashians (“What, you mean all I have to do is behave like a fucking idiot on television, and then you’ll pay me millions?”), media interviews (“I can’t do the tits-and-teeth stuff”), and now this:

 

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*****

 

Tebow

 

I thought I should say something about the Bill Maher-Tim Tebow feud, but then I realized that I just … don’t … seem … to care.  But here’s a picture of the Denver quarterback, just because you want to see one.

 

*****

 

Griffin2

 

CNN is relentlessly plugging its New Year’s Eve special with Anderson Cooper and Kathy Griffin.  “The most unpredictable show on television!” crows the network.  Balderdash.  Granted, their banter is amusing, but there is no program on television more predictable than Cooper-Griffin on New Year’s Eve.

Griffin will make sex jokes.  Cooper will turn red and giggle.  Griffin will “hit on” Cooper.  Cooper will act embarrassed.  Repeat.  Same act as last year, and the year before that, and ….

 

*****

 

Joyce

 

Quote of the Week (James Joyce):

 

“I think I would know [Joyce’s wife] Nora’s fart anywhere.  I think I could pick hers out in a roomful of farting women.  It is a rather girlish noise not like the wet windy fart which I imagine fat wives have.  It is sudden and dry and dirty like what a bold girl would let off in fun in a school dormitory at night.  I hope Nora will let off no end of her farts in my face so that I may know their smell also.”

 

*****

 

This is a fake People magazine cover. It is not real.  But I am wicked and enjoy doing my small part to spread false Internet rumors about celebrities, so here you go.

 

Lautner

 

*****

 

And finally, basketball fans welcoming point guard Ricky Rubio to Minnesota:

 

Rubio

 

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Teenagers

It’s the end of the year and we are scraping the bottom of the Internet barrel in search of free flicks.  We scraped and scraped and came up with Teenagers from Outer Space, a 1959 absurdity that features babes in bathing suits, stilted dialogue, stiff acting, dime-store special effects, and a ridiculous plot.  Oh, yeah, and a monster shaped like a giant lobster.  This Hulu version of Teenagers is crammed with commercials – not necessarily a bad thing in this case.  Click here to watch this “so bad it’s good” cult classic.

 

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It’s the end of December, and that means it is time for every news show, magazine, and Web site to compile inane “end-of-year” lists.  But most smart people realize that next year, 2012, heralds the end of the world, and so it makes a lot more sense to compile an “end-of-the-world” list.  Thus, here you go:

 

Cockroaches

 

Best Species of All Time:  The Cockroach

Everyone knows that in the event of a nuclear holocaust, the much-maligned cockroach is one of the few species expected to survive, possibly even thrive.  I don’t see why, come Armageddon, things should be any different for the heroic and plucky cockroach.

 

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Best Con Artist of All Time:  Cleopatra

The Queen of the Nile, according to ancient coins that bear her visage, was one homely lady.  And yet somehow the woman enjoys a “man-eater” reputation, inspiring Hollywood biographies and even a role for our most beautiful star, Liz Taylor.

 

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2012

 

Greatest Work of Art:  2012

The critics hated it but hey, when you are right about things, you are right about things.

 

Nationwide

 

Greatest Blight on the Universe:  Television Commercials

TV signals are beamed into space.  Somewhere, someday, an alien species will be subjected to god-awful Nationwide insurance commercials.  When the aliens study Earth’s doomed culture, they will despise us for this. 

 

*****

 

Candlestick   

When the power went out — twice — during this week’s Steelers-49ers contest, someone made the decision to delay the game.  I think that was a missed opportunity.  They should have kept playing in the dark, like many of us did when we were kids.  “Dark football” would have been a big hit.

 

*****

 

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I wonder if the geniuses at Columbia Pictures’s marketing department thought of potential negative associations when they came up with the above slogan for The Girl with the Dragon Tattoo.  What is hidden in snow that comes forth in the thaw?  I’ll bet they didn’t think of this:

 

Poop  

 

*****

 

I often channel surf between Craig Ferguson and Jimmy Fallon, but I never watch Jimmy Kimmel’s show.  This is because Kimmel’s show includes a non-stop barrage of commercials.  I took notes the other night:  

 

11:55 — Jimmy welcomes guest Jeremy Renner.

12:03 — The onslaught begins.  There are ads for Capital One, the Minnesota lottery, Xbox 360, Hilton’s Doubletree, Ford’s Focus, HBO’s True Blood, Celebrity Wife Swap, The Bachelor, Dodge Journey, and Menards.

12:08 — Back to the show.

12:13 — Ads for Bud Light, Blockbuster, Arby’s, Macy’s, Stayfree, Head & Shoulders, Viagra, the NBA, Winter Wipeout, Ford, Xfinity, local news, Citibank, Target, Midnight in Paris, Gamefly,com, Centrum, Target, The Bachelor, Celebrity Wife Swap, Work It, Jeep Grand Cherokee, and The Original Mattress Factory.

12:22 — Back to the show.

12:29 — Ads for Chrysler, Delsym cough syrup, Mucinex, Mitsubishi, GMC Superstore, and local news.

12:32 — Back to the show.

 

I watched Kimmel for 37 minutes.  There were 39 commercials.  That’s 20 minutes of Jimmy, 17 minutes of ads.  Some day, this is what the aliens will see, and they will despise us for it.

 

*****

 

Posting pictures of female buttocks is a sexist, revolting practice, and we hereby resolve to stop doing it.  Instead, please enjoy this beautiful landscape portrait:

 

Illusion

 

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Straw1

 

It’s been years since I last watched director Sam Peckinpah’s seminal drama Straw Dogs, but it’s the kind of film that you don’t easily forget.

Peckinpah’s thriller provoked howls of outrage in 1971 for its violent content, in particular a prolonged rape scene in which the main female character, Amy (Susan George), appears to take some pleasure from her assault.  Critics accused Peckinpah of misogyny.  If the macho director’s goal was to generate controversy, he succeeded big time.

I don’t presume to know if “no always means no,” but I do know that the sexual question mark in Peckinpah’s movie — did Amy prefer her alpha-male assailant (an ex-boyfriend) to her pacifist husband David (Dustin Hoffman)?  — was key to the film’s climax.  When the couple’s home comes under siege by the rapist and his thuggish pals, suspense was derived from audience uncertainty about whether David and Amy could work together long enough to survive.

 

Alexander Skarsgard as "Charlie" in Screen Gems' STRAW DOGS.

 

Director Rod Lurie’s remake dispenses with any questions about the pivotal rape scene.  It’s clear this time that Amy (Kate Bosworth) wants no part of it.  This is a politically safe viewpoint, but it also subtracts tension from the remake’s final act in which, once again, the couple’s home comes under attack.

But Lurie’s Straw Dogs is still effective because of the universal conflicts it explores.  When Hollywood players David and Amy return to Amy’s hometown in rural Mississippi, the couple ignites a powder keg of culture clashes — city vs. country, privileged vs. poor, liberal vs. conservative, North vs. South, and atheist vs. believer.  Pretty boy David (James Marsden) is a lightning rod for Blackwater’s football-loving, beer-guzzling good ol’ boys. And Amy is a source of constant temptation.

Marsden is convincing as a proponent of the “can’t we all just get along” school of thought, but he lacks Hoffman’s charisma.  Bosworth is a credible small-town-girl-turned-TV-star, but she also projects a bland personality.  Hoffman and George were unforgettable.  I’ll remember them, but I won’t remember this remake.       Grade:  B-

 

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Director:  Rod Lurie   Cast:  James Marsden, Kate Bosworth, Alexander Skarsgard, James Woods, Dominic Purcell, Rhys Coiro, Billy Lush, Laz Alonso, Willa Holland, Walton Goggins  Release:  2011

 

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    Watch Trailers and Clips (click here)

 

 

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